Condensor Microphones
-Elam 250 (AKG C12 "The Tube" body with NOS CK12 Capsule, proper transformer and ELAM 250 electronics
-Telefunken Elam 251 (x2) (Pair from Telefunken/Decca studios Berlin)
-Neumann U47 (with k47 Capsule)
-Telefunken U47 (x2) (Matched pair with PVC M7 Capsules from Capitol Studios)
-Neumann Fet 47i
-Neumann M49
-Neumann U67
-Neumann U87ai
-New Telefunken AK47
-New Telefunken M260 Small Diaphragm tube - omni, hyper-card, card capsules (x2)
-Neumann KM-74 (x2)
-Neumann KM-54
-Neumann KM-254 (x2)
-Neumann CMV-563 (with m7, m8, mk55 capsules)
-Gefell M300 (x2)
-AKG C412 (x2) with ck12 capsules
-AKG C60 (x4) tube mics .... very nice (All have original Ck-28 capsules and I have an original pair of Ck-1 capsules if someone should prefer those.)
-Blue modelled CK12 lolipop capsules for two of the C60 mics (One Pair)
-AKG C28c (Ck-28 capsule)
-Rode NT-II (x2)

Ribbon Microphones
-Royer R121 (x2)
-Coles 4038 (x2)
-Beyer M160 (x2)

Dynamic Microphones
-EV RE-20
-Beyer M88
-Shure SM-7
-Shure Beta 52
-Shure Beta 58
-Sennheiser 441
-Sennheiser 421 (x5)
-Sennheiser 409 (x2)
-sm57 (x4)

Microphone Pre-Amps
-Vintech X81 (x12)
-Daking MicPre/EQ (x2)
-Universal Audio 2-610 tube Mic Pre
-Telefunken V72 (x4 all have rebuilt power supplies, are recapped and modded with adjustable gain - up to 56 db. They have output pad, phantom and phase added as well.)
-Telefunken v76 (x2 Both have rebuilt power supplies, are recapped and phase and phantom have been added.)
-**Telefunken u73 (x4 Tube compressors that have 45 db of gain and can be used just as mic pres without any compression. The amplifier circuitry is almost the same as a v72)

Compressor/limiters
-RCA BA6A
-Telefunken u73 (x4 Modded tube units so that all functions have been brought out to the face plate to give complete control over what these gems can do - originals are are limited by rudimentary functions. These are racked in pairs and each have Varicoms added for complete release function control and to allow stereo linking. These compressors used as a stereo pair, with the varicom, was the main mastering compressor used in Europe for many, many years. Compare your European vinyl release to the American release of the same record and hear the difference. Again, all have been rebuilt.)
-Alan Smart C2
-DBX160vu Compressors (x2)
-Massenburg 8900 compressor Limiter
-Vintech 609CA (stereo/dual mono)
-Daking Compressor/Limiters (x2)
-EMT 261 (x2)
-Purple Audio MC77 (x2)
-LA2A (x2) (These have original old stock UTC HA-100x's)
-LA3A (x2)
-Distressors (x2)

Other Outboard
-Lang PEQ-2
-Manley Massive Passive eq
-Klangfilm tube eq from 50's (x2)
-Kurzweil KSP-8, with remote and eight analog ins and outs - up to four stereo busses/efx
-EMT 244 reverb
-Little Labs IBP
-TC M2000
-EH Bi-Filter

DI's
-Telefunken V71
-Manley
-Avalon U5 (x2)
-Several others

ProTools
-HD3 Accel System running on a 2.66Ghz Mac Pro with Intel processor
-(x2) Apogee AD-16x's (32 channels of input)
-(x2) Apogee DA-16x's (32 channels of output)

Console
-Custom Console It started it's life as an Allen & Heath Saber 24/16/16 and stock was the same type board used on Soul II Soul's double-platinum album, Keep On Movin. This type board also was used at Parr Street Studios in England for such things as Coldplay's "Yellow" and more. However, this board has been completely rebuilt by John Chester improving Signal to Noise by 30dbu in a worst case scenario and is as quiet or more so than most large frame consoles. The grounding system was scrapped and reconfigured with a "000" gauge copper buss bar being installed. The summing busses were redesgined and the master section was completely redesgned by John utilizing Jenson 990c Op-Amps and Sowter "radio metal" transformers. The input amplifiers were redsigned and as with all of the other mods, the very cutting edge in IC chips - chips that are of such high quality and large expense that no production console manufacturers pay the cost to use them (Focusrite, Euphonix, Amek, or any other manufacturer) - have been implemented.

Recorder
-A rebuilt Ampex A100 1/2" machine with brand new Flux Magnetics extended Response heads
-Tascam DA-302 DAT Recorder
-Tascam CD-RW402 CD Recorder

Monitoring
-The Main Power amp is a McIntosh MC-2500, that is arguably one of the best solid state amps ever made, running into a pair of Quested VH-2108's. The other is the brand new and much improved Bryston 3B-SST running into a pair of ProAc Studio 100's or a pair of NS-10's.
-There is a pair of the best headphones money can buy - Grado RS-1's. To aid in the referencing of mixes and to help identify issues, these headphones cannot be beaten. Voted as the best dynamic headphones by all the reviewers.
-For the foldback we are using the Furman HRM-16 with HDS-16 stations. Every two pair of headphones can dial in their own mix from eight source tracks and four stereo tracks giving the musician control of up to 16 tracks. We primarily use Sony 7506 headphones, but have others to choose from.

Instruments
-Drums Set The awesome guys at GMS custom made an amazing kit for us!
-Sizes: 7x10, 8x12, 14x14, 16x16, 18x22
-20's Ludwig snare, nickle-finish Black Beauty, 5x14
-20's Ludwig snare, nickle-finish Black Beauty, 5x15
-20's Ludwig snare, lighter weight-brass shell, 4.5x14
-20's Gretch snare, three piece wood shell, 4x14 (later strainer and buttplate - kills!)
-20's Leedy, Brass shell, 5.5x14
-1949 Gibson LG-O
-1984 Gibson Custom Shop 335 (blonde) -Alvarez DY-91 Acoustic Guitar
-'73 Martin D35
-'37 National Resonator
-Late 1800's Parlor Bruno Guitar
-'63 Fender Stratocaster
-'80 pre-custom shop '52 tele reissue
-Gibson SG
-60's Epiphone Es-125
-Dan Electro Double Neck (Guitar and Bari Guitar)
-Gibson Les Paul Double Cutaway with p-90's
-Jerry Jones Electric Sitar
-Reissue Fender P-Bass

Amplifiers
-Matchless HC-30
-Mojo Champ
-Marshall JCM800 50 watt (modded by Frank Levi, former Head of R&D at Hiwatt)
-'66 Fender Super Reverb
-'70 Fender Twin Reverb
-'58 Watkins Dominator
-'60's Gibsonette
-Custom one of a kind AC-30/Tweed Twin Combo
-Early 60's Silvertone 1x10 combo
-Mid 60's Guild Thunderbird 1x10 Combo
-Fender Pro Junior
-'65 Klemt Echolette (Marshall JTM-45 but better)
-'70 Klemt Echolette (Marhsall JMP 50 but better)
-'73 Princeton Reverb (with G-10 50 watt celestion)
-Various Speaker Cabinets (4x12's, 2x12's, 1x12)

Keys
-1938 Hammond BC3, restored with a rebuilt two speed 31H leslie (BC = extra tone wheels for the chorus. Sooo beautiful. All work done by The Hammond Store.)
-Yamaha UX-3 52" Upright Grand,
-Moog Voyager
-1950's Tube Wurlitzer
-Nord Electro Rack
-Nord Lead 3
-Yamaha PSS 140
-Casio SK-1
-Casio SK-5
-Antique Marxophone

Instrument Effects
-Fuzz Face (x2, one with octavia)
-EH Pog
-Boss CS-2 Compressor
-Analog Man Comprosser
-Analog Man Beano Boost
-Vintage Vox Wah
-Roger Mayer VooDoo Vibe
-Fulltone ChoralFlange
-EH Deluxe Memory Man
-Klon Centuar
-Line 6 Echo Modeler
-Line 6 Filter Synth Modeler
-EH Big Muff
-MXR Phase 90
-EH Small Stone Phaser
-EH Microsynth
-Menatone Red Snapper
-EH Bi-Filter
-EH Double Muff